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Then the man spoke: ‘This movie saved my life.” “Suddenly this big hulking guy came toward me in the dark,” the director recalled in a telephone interview. “ Quadrophenia,” which the Criterion Collection is reissuing in a restored version on Blu-ray and DVD on Tuesday, concerns little more than a skinny 18-year-old West Londoner trying to track down some blues (speed) for one of these seaside gatherings turned tabloid-covered riots. But the emotions that “Quadrophenia” elicits and its role in converting troubled souls to smartly dressed members of a movement (one with its own chant: “We are the Mods! We are the Mods!”) can be as forceful as the waves that open both the film and the Who’s 1973 double album. Midnight screenings in art houses, home-video sales and television broadcasts have made “Quadrophenia” one of the more enduring cult movies and that rare rock ’n’ roll film that rings true years later. The film meticulously recreates the look and sounds of Mod’s first wave, one fueled by the new teenage spending power, the Pill and the blues-rock and modern-jazz boom that produced the Rolling Stones, the Kinks and the Who. Hallmarks of its style have included military-style parkas (often worn over pinstripe Italian suits), Clarks desert boots, Fred Perry polos, Vespa and Lambretta scooters, and bangs (for men and women).
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“The film is a part of a continuum of those that strike a typically English and urban visual mood,” the album’s composer, Pete Townshend, said by e-mail.Īfter the original release of “Quadrophenia” the Mod movement grew considerably. In 1980s Southern California members of the scooter-mounted New Wave and ska scene (which spawned No Doubt) were “Quadrophenia” fans. So were the Britpop artists and designers of the ’90s. And like the solo by the Who bassist John Entwistle in “My Generation,” Mod is surging again. The surviving members of the band have just announced plans to take the “Quadrophenia” album on tour for the first time since 1997. #THE WHO MODS MOD#Īnd the black-and-white campaign for the designer John Varvatos, shot by Danny Clinch, features Mod-tailored suits and ties worn by Paul Weller - founder of the Jam, the Mod band that flourished amid punk - and the singer-songwriter Miles Kane.
“That picture could be from 1965, and it could be from 2012,” Mr.
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